an upholder of how responsibility and not charity can change the world, our socially
conscious accessory atelier partners with local artisans who are largely unaware of the
real worth of their creative assets.
we deliberately coordinate efforts to leverage their talent into a recognized and
established industry that is promoted, connected and celebrated.
having adopted an alternative supply chain which delivers respectfully made pieces, we
take pride in answering your #whomademyaccessory questions.
an upholder of how responsibility and not charity can change the world, our socially
conscious accessory atelier partners with local artisans who are largely unaware of the
real worth of their creative assets.
we deliberately coordinate efforts to leverage their talent into a recognized and
established industry that is promoted, connected and celebrated.
having adopted an alternative supply chain which delivers respectfully made pieces, we
take pride in answering your #whomademyaccessory questions.
our material choices are guided by the founder’s lifelong allegiance to ‘jainism’, a belief system noted for its ascetics and non-injury to living creatures.
as a cruelty-free atelier, we’re establishing alliances with inventors of plant-based
materials across the globe. we strive to exist in a circular economy by embracing the age of biofabrication.
our material choices are guided by the founder’s lifelong allegiance to ‘jainism’, a belief system noted for its ascetics and non-injury to living creatures.
as a cruelty-free atelier, we’re establishing alliances with inventors of plant-based
materials across the globe. we strive to exist in a circular economy by embracing the age of biofabrication.
devanshi jain operates across body, object + space, translating psychological + lived conditions into sculptural forms through experimental processes of making.
new delhi + kolkata est. 2020
enter
a domain interspersed with age-old tapestries, delicate blue porcelain, lacquer boxes & miniature paintings; my cradle was a paradise.
a false paradise.
for i spent years languishing in a gilded cage. only to realise that outside the confines of these tall teak-wood windows, is nothing but a world of prejudiced happenstance.
and that i am eternally captive.
chapter v exteriorises the desire to meet liberty’s mirth—18th-century tapestries [found in/sourced from england] and artisanal metal structures [characterising a cage distressed by constant rebellion] coalesce into a series of avant-garde body adornments.
