chapter V - devanshi jain official

an upholder of how responsibility and not charity can change the world, our socially conscious accessory atelier partners with local artisans who are largely unaware of the real worth of their creative assets.

we deliberately coordinate efforts to leverage their talent into a recognized and established industry that is promoted, connected and celebrated.

having adopted an alternative supply chain which delivers respectfully made pieces, we take pride in answering your #whomademyaccessory questions.

our community

an upholder of how responsibility and not charity can change the world, our socially conscious accessory atelier partners with local artisans who are largely unaware of the real worth of their creative assets.

we deliberately coordinate efforts to leverage their talent into a recognized and established industry that is promoted, connected and celebrated.

having adopted an alternative supply chain which delivers respectfully made pieces, we take pride in answering your #whomademyaccessory questions.

our community

our material choices are guided by the founder’s lifelong allegiance to ‘jainism’, a belief system noted for its ascetics and non-injury to living creatures.

as a cruelty-free atelier, we’re establishing alliances with inventors of plant-based materials across the globe. we strive to exist in a circular economy by embracing the age of biofabrication.

our biomaterials

our material choices are guided by the founder’s lifelong allegiance to ‘jainism’, a belief system noted for its ascetics and non-injury to living creatures.

as a cruelty-free atelier, we’re establishing alliances with inventors of plant-based materials across the globe. we strive to exist in a circular economy by embracing the age of biofabrication.

our biomaterials

jain’s collage of memories embedded in lucid journals; both handwritten and photographic; serve as a source of inspiration to her. she undertakes a cathartic approach that alchemizes those pages into body adornments.
a crossover between fashion and art, the collections are a translation [of non-linear chapters] of her life. when decoded and pieced together, they uncloak her autobiography-in-the-works.

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a domain interspersed with age-old tapestries, delicate blue porcelain, lacquer boxes & miniature paintings; my cradle was a paradise.

a false paradise.

for i spent years languishing in a gilded cage. only to realise that outside the confines of these tall teak-wood windows, is nothing but a world of prejudiced happenstance.

and that i am eternally captive.

chapter v exteriorises the desire to meet liberty’s mirth—18th-century tapestries [found in/sourced from england] and artisanal metal structures [characterising a cage distressed by constant rebellion] coalesce into a series of avant-garde body adornments.

enter